I happened upon the George Peabody Library quite by chance, really.
I had the opportunity to accompany my husband to a professional conference held at the Hilton in Baltimore, and was looking about for something to occupy my two days of waiting around for the programs to be done. Luckily, the library is located in a stunning building -- enough draw in and of itself! -- that was well represented in the "Sights to see around Baltimore" articles that I'd looked at.
It was a grey and dreary late-start sort of a day, perfect for a couple of hours in the library. I had no appointment. While I had tried to make the requisite appointment, with some confusion and just a little humiliation, the day before,
I had never really gotten ahold of anyone, nor figured out exactly where to go to see the recipe manuscript and the Culpepers Herbal that I wanted to see. I called sheepishly in the morning, and was invited in, but then I got carried away at Lafayette Market, a slightly sketchy rabbit-warren of a market, serving soul food lunches to a crowd gathering for a
lunchtime band.
By then
it was after 2 pm.
On Fridays
The Peabody
usually
closes at 3.
was an unspecified
cab-ride away and
was beginning to seem like a lot of trouble.
Plus, I was more than a little reluctant to seem completely unprofessional by arriving late on a Friday afternoon, though in all likelihood I would never be here again, and who cares, anyway?
Sometimes
these library adventures have an aspect to them
of
a
grand
quest.
Here the dragon guarding the treasure was my own inertia.
My sense that there wasn't enough time.
I almost didn't go.
The Peabody Library is a wonderment: tiers upon tiers of stacks are arranged around an airy atrium, lit by high skylights. Fancy ironwork bannisters rise into the heights, illuminated by touches of gold: highlighting the layers upon layers of pattern: scalloping and friezes and columns; the coffered ceilings in each of the alcoves, the rows and rows and rows of books. It makes one quite dizzy, this temple to books. The quiet hum of a heater somewhere below rumbles reassuringly. The desks are are set apart from one another in two long rows, for those of us who choose to settle in the middle of the room. Elsewhere, people have tucked themselves into the alcoves on either side where, perhaps, the redundant card catalogs once resided.
The flourishes in the tiny balustrade repeat a pattern of faintly Moorish onion arches & Christian crosses in relief. I sketch it while I wait for my books.
As I wait, there is plenty of time to admire the scenery and soak in the ambiance.
A kind of awe settles in for the sheer elaborate magnificence of the library, made more approachable by its weathered shabbiness. All this knowledge! All stacked here systematically categorized,
open for my inspection.
They bring a stack of foam wedges to rest the precious books on, and two strings of weighted cord, filled with ball bearings. These are to hold the pages down as gently as possible. They unroll a great long extension cord and fix me a light, while up on the fifth tier a student is looking for my books.
When they bring the books, I open the earliest first: 1689 … 1740 …1787 …1847 |
Culpeper
The English Physician, Enlarged 1740
Originally published in 1652 as The Englifh Phyfitian, Culpeper's work has been enlarged and improved, and published in multiple editions almost continuously right through the next three and a half centuries.These posthumous productions are among the hundreds of works to which his name is attached, and you will find seemingly endless variations of the title, including an edition from Exeter NH in 1825 that blithely changed "made of English Herbs" to "made of American Herbs" and spelled Culpeper's name wrong!
This 1740 edition, published 86 years after Culpepers death, contains beautifully colored plates, some oversized and folded repeatedly, that jump out of the pages. |
Notice the beautiful ghost image of the lily on the opposite page. |